Better a Fascist than a Faggot + Q&A
The screening will be followed by a conversation and audience Q&A with artist Norman Mine & Matthew McLean (writer and editor of Frieze Week Magazine).
“Better a Fascist Than a Faggot” is a hybrid moving-image work by
London-based Italian artist Norman Mine that blurs the boundaries between performance,
cinema, and autobiographical fiction. Presenting its London premiere, the film is set within
the unfinished, decaying architecture of Santiago Calatrava's 'Vela' in suburban Rome,
exploring the fragile boundary between belief, performance, and survival. The work follows
the figure of Dino Desica through a landscape of ideological inheritance, revisiting questions
of identity, belonging, exclusion, and masculinity. By reclaiming a charged 2006 political
quote by Alessandra Mussolini, the film examines the psychological mechanisms through
which power, internalised shame, and ideological seduction take hold.
Artist Biographies
Norman Mine is the artistic identity of Francesco Benenato, a London-based Italian artist
whose practice navigates the tension between the directorial observer and the performative
presence. Working through constructed personas, most notably Norman Mine and the
performer Dino Desica, his work functions as a serious conceptual inquiry into how personal
narrative, artistic labour, and public spectacle intersect. His practice draws heavily from the
raw observational style of Italian Neorealism and the vulnerabilities of autobiographical
fiction, using tragicomic narrative structures to examine identity formation, institutional
ideology, and the psychological architecture behind visibility and belonging. Blending staged
performance with a non-hierarchical, socially engaged methodology, his wider practice
navigates collective imagination, vulnerability, and social performance
Matthew McLean is a London-based writer and editor of Frieze Week Magazine. His work focuses on contemporary performance, moving image, and the relationship between personal narratives and wider social and political histories.
- Runtime: 45 minutes
- Rating: (18)